Underwater photographer for thirty years, three of them professionally. PADI Master Instructor. Seven thousand dives across twenty-odd countries, and a strong opinion about most of them.

Dive travel writing is almost entirely promotional. Every destination is world-class. Every reef is pristine. Every operator is the best there is. None of it helps someone deciding where to spend a year's dive budget and the annual leave to go with it, because none of it distinguishes between places.
So I started scoring them. Every destination on this site has a number, arrived at the same way, published whether or not it flatters the place. Cozumel scores in the sixties. Jamaica scores in the sixties. One liveaboard operator I paid to be on scores a for Operation, which drops the Galápagos below a muck strait in North Sulawesi.
Those numbers are the point. A recommendation is only worth something from somebody willing to publish a bad review, and I've published several.
Before any of this, I worked in the industry. Divemaster and instructor in Fiji, Australia, Canada and Grand Cayman between 1997 and 2003 — briefing guests, running boats, sorting kit, managing conditions, and being responsible for people in water that didn't always cooperate.
I went on to PADI Master Instructor and IDC Staff Instructor — which meant I wasn't only teaching divers, I was helping train the instructors, working alongside Course Directors on instructor development. If you want to know what good practice looks like on a dive boat, teaching it to the people who'll go and run those boats is a reasonable way to find out.
I stopped teaching professionally in 2003 and my membership isn't current. Trips here are led, not instructed — I'm the photographer and the person who chose the destination, and the diving is supervised by the operator's own active staff.
That's why Operation is one of the five things scored on every trip here. Most reviews treat the boat as background to the reef. Having stood on the other side of the tank rack — and having taught the standards — I know how much of a trip is decided by whether the operation is any good, and I know the difference between a bad day and a badly run one.
It's also why a 3 gets published when a 3 is what happened.
Every destination scored on this site, and every visit to it. 8 of the 16 have been dived more than once, which is the only way to say anything honest about whether a place is changing.

Most dive-travel writing is funded by the operators it reviews. Comped cabins, hosted weeks, affiliate links, tourism-board trips. None of it is usually declared, which is why every destination in the genre is world-class and every boat is the best.
So here is the whole paper trail. I spent seven years inside the commercial industry, and I score operators partly because I used to be one.
PADI Master Instructor and IDC Staff Instructor, MI112461. I trained instructors alongside Course Directors — some of them run fleet decks now. That is where the standards on this site came from. When a page docks an operator for how its crew handled a camera, it is not a guest being difficult. It is somebody who used to be responsible for that deck.
I trained the people who run fleet decks now. That is where the standards on this site came from.
The employment ended in 2003. My teaching membership is no longer current. I take no salary, commission, retainer or referral fee from any resort, liveaboard, lodge or dive operation anywhere. Every relationship above is a quarter of a century old.
Anywhere I worked says so. If a guide or an operator card touches a business or a coastline I was once employed on, that page links straight back to this section.
I pay for the trips. Every scouting trip on this site came out of my own pocket. No comped stays, no hosted weeks, no tourism-board junkets. That is why a liveaboard operator can score a for Operation and the number stays on the page.
Print sales fund the research, and cannot buy a score. Fine art and licensing revenue pays for the travel. If an operator reviewed here later licenses one of my images, that transaction is declared on that destination’s page. It does not move a number.
Every frame sold here came off a dive described on this site, on a trip I paid for, in the conditions that turned up. Nothing is licensed in, nothing is bought from an agency, and nothing was shot on a hosted week.
That is the point of scoring destinations honestly: you can read exactly what the water was doing on the day a picture was made, and then decide whether you want it on your wall.

Miles Below covers the diving, and the underwater prints and licensing are sold here. The land wildlife work and the overlanding live at milesoverland.ca — same photographer, different subject, and a Rivian instead of a boat.
If you're here for a trip or a destination guide, you're in the right place. If you're here for a print or an image licence, that's the other one.