Signed limited editions of twenty, printed to order and shipped from Canada. Open editions for everything else. Thirty years of work, edited down hard.
Organised by subject rather than by lens. Nobody buys a print because of the focal length.
Wrecks exists in the catalogue and stays out of the menu until it holds six images. A category with three products looks broken.
Most photography stores fail by offering too much choice. This one offers two sizes.
Edition of twenty. Signed and numbered. Archival pigment on cotton rag, printed to order, supplied with a numbered certificate of authenticity. When an edition closes it does not reopen, in any size.
Unsigned, unnumbered, same paper and same printing. The entry point, and where the older archive lives — files from before 2015 will not hold 24 × 36 at a price worth charging.
Both tiers come horizontal and vertical. Framing is deliberately not offered — most people would rather choose their own than pick one from a screen, and shipping glass across a border is a bad idea for everyone.
Every destination guide links to the prints made on those exact dives. If you have just finished a review, this is the shortest route to bringing that water home.
Images are available for editorial, brand and conservation use. Rights, territory and duration are negotiated per project rather than sold from a rate card — that is how editorial actually works, and it gets you a fairer price than a published list would.
No buyouts. Credit required. Anything used to promote a dive operation reviewed on this site will be declared on the review.
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